We Are One

Following industry rumblings that pegged Lionsgate as the frontrunner to purchase Hasbro‘s eOne Film and TV business, the deal has been approved.

Ahead of today’s second quarter earnings call, Hasbro revealed that both companies’ Boards of Directors signed off on the deal which offloads the eOne assets for approximately $500 million. The transaction is set to close by the end of the year. The sale brings a tumultuous period to a close after Hasbro acquired — and perhaps vastly overpaid for — eOne at the end of 2019 in a $4 billion transaction. At the time, the combined forces of Hasbro and eOne were celebrated in several spots, including the cover of the February 2020 issue of The Toy Book, with a “We Are One” campaign.

This sale fully aligns with our strategy, and we are pleased to bring the process to a successful close, Lionsgate’s management team is experienced in entertainment and adept at driving value, and we’re glad to have found such a good home for our eOne film & TV business. We look forward to partnering with them, especially on a movie adaptation of Monopoly.”
Chris Cocks
Chris Cocks, CEO, Hasbro

The sale of certain film and TV assets to Lionsgate follows a 2021 transaction in which Hasbro sold eOne Music to Blackstone for $385 million. The deal includes eOne’s staff, a library of nearly 6,500 titles, active productions for non-Hasbro owned intellectual property (IP) including The Rookie, Yellowjackets, and Naked and Afraid, and the eOne unscripted business, which includes rights for certain Hasbro-based shows like Play-Doh Squished. The sale also includes Hasbro’s interest in the Canadian film & TV operations of Entertainment One Canada Ltd.

Hasbro says that it will retain a team to continue development on more than 30 projects based on its IP by working with various studios and distribution platforms throughout Hollywood. Projects in development include titles based in G.I. Joe, Transformers, Dungeons & Dragons, Magic: The Gathering, and Play-Doh, among others. On the animation side of the business, Hasbro will continue efforts including Peppa Pig, Transformers: EarthSpark, and My Little Pony: Tell Your Tale.

“Entertainment remains a priority for Hasbro. Hasbro will continue to develop and produce entertainment based on the rich vault of Hasbro-owned brands,” Cocks adds. “We will also bring to life new original ideas designed to fuel all areas of Hasbro’s blueprint including toys, publishing, gaming, licensed consumer products, and location-based entertainment. As part of the sale, we expect to move to an asset-light model for future live-action entertainment, relying on licensing and partnerships with select co-productions.”

The aforementioned Monopoly movie with Lionsgate was first announced in 2019 with Kevin Hart attached to star.

About the author

James Zahn

James Zahn

James Zahn, AKA The Rock Father, is Editor-in-Chief of The Toy Book, a Senior Editor at The Toy Insider and The Pop Insider, and Editor of The Toy Report, The Toy Book‘s weekly industry newsletter. As a pop culture and toy industry expert, Zahn has appeared as a panelist and guest at events including Comic-Con International: San Diego (SDCC) Wizard World Chicago, and the ASTRA Marketplace & Academy. Zahn has more than 30 years of experience in the entertainment, retail, and publishing industries, and is frequently called upon to offer expert commentary for publications such as Forbes, Marketwatch, the Wall Street Journal, the New York Times, USA Today, Reuters, the Washington Post, and more. James has appeared on History Channel’s Modern Marvels, was interviewed by Larry King and Anderson Cooper, and has been seen on Yahoo! Finance, CNN, CNBC, FOX Business, NBC, ABC, CBS, WGN, The CW, and more. Zahn joined the Adventure Media & Events family in 2016, initially serving as a member of the Parent Advisory Board after penning articles for the Netflix Stream Team, Fandango Family, PBS KIDS, Sprout Parents (now Universal Kids), PopSugar, and Chicago Parent. He eventually joined the company full time as a Senior Editor and moved up the ranks to Deputy Editor and Editor-in-Chief.

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